After everything in her life falls to pieces, including her marriage to wealthy businessman Hal, elegant New York socialite Jasmine moves into her sister Ginger's humble apartment in San Francisco to try to pull herself back together again. "Want to see great acting, from comic to tragic and every electrifying stop in between? See Cate Blanchett in Blue Jasmine."--Rolling Stone "Allen's story of a fictitious Ruth Madoff figure works as both a what-if...

"Produced in celebration of the 75th Anniversary of the publication of The Great Gatsby, this fascinating documentary explores the turbulent life and dark creative spirit of its writer, F. Scott Fitzgerald. It examines his disappointing college days at Princeton, his disastrous marriage to Zelda, his difficult relationship with Hemingway, and his tendency to sell out and compromise his talent for cash, which led to his turbulent last days in Hollywood....

Laughing club of India (35 min. - col.): explores the power of laughter through the strangely popular phenomenon of laughing clubs in contemporary Bombay. A film by Mira Nair and Adam Bartos. Producer, Adam Bartos ; director, Mira Nair ; director of photography, Adam Bartos. Why can't we be a family again? (27 min. - col.): chronicles the plight of two brothers in foster care, as they attemp to reunite with a mother who abandoned them for drugs over...

Three films tracing the history of post-war Germany through the lives of three women.

An American businessman tours Europe for the first time; an heiress who values independence enters a bad marriage; a widow, wishing to retain her antiques, manipulates her son's relationships; a poor engaged couple scheme to gain the wealth of a sickly American woman; the new spouses of a father and daughter resume an old affair.

Portraits of the shopkeepers along the Rue Daguerre, an average street in Paris, provide an informal investigation into French culture and society. After studying the different stores and what they sell, and interviewing the owners about their childhoods and marriages, the film concludes with a series of static "daguerreotypes," in the style of pioneer photographer Louis Daguerre.

Romantic tales from the late Victorian high society of love and loss. These unfold from the country houses of England to the drawing rooms of New York, from the palazzos of Venice to the art studios of London. Scoundrels and schemers collide with ingénues and admirers in the terribly intricate affairs of the heart.

The story of the couple's youthful passion and ambition interwoven with a portrait of a marriage, thirty-plus years later, a lifetime's shared compromises, secrets, betrayals, and mutual love.1

Tells the story of Dr. William Masters and Virginia Johnson, two pioneering researchers of human sexuality in the 1950s.

When teenage Priscilla Beaulieu meets Elvis Presley at a party, the man who is already a meteoric rock-and-roll superstar becomes someone entirely unexpected in private moments: a thrilling crush, an ally in loneliness, a gentle best friend. Through Priscilla's eyes, Sofia Coppola tells the unseen side of a great American myth in Elvis and Priscilla's long courtship and turbulent marriage, from a German army base to his dream-world estate at Graceland,...